Showing posts with label Kindergarten. Show all posts
Showing posts with label Kindergarten. Show all posts

Saturday, July 27, 2019

True Reading Readiness

These guidelines by Dr. Susan Johnson are intended to help parents, caregivers and early childhood educators notice movement integration and development in the young child.

True reading readiness (as opposed to forced reading “readiness”) is a biological phenomenon* and requires that a child has passed a number of benchmarks of sensor-motor integration – which is an aspect of healthy brain development.  Many of these benchmarks have been passed when a child is able to do the following:

  • Pay attention and sit still in a chair for at least 20 minutes
  • Balance on one foot, without her knees touching, and in stillness, with both arms out to her sides – and count backwards without losing her balance
  • Stand on one foot, with arms out in front of him, palms facing up, with both eyes closed for 10 seconds without falling over
  • Reproduce various geometric shapes, numbers, or letters onto a piece of paper with a pencil while someone else traces these shapes, letters or numbers on her back
  • Walk on a balance beam
  • Jump rope by self
  • Skip

If children can’t do these tasks easily, their vestibular and proprioceptive (sensory-motor) neural systems are not yet well-integrated, and chances are they will have difficulty sitting still, listening, focusing their eyes, focusing their attention, and remembering letters and numbers in the classroom.

Support for sensory-motor integration comes not from flash cards or video games…but from the following activities:

Physical movements such as

• Skipping                                          • Running
• Hopping                                          • Walking and hiking
• Rolling down hills                         • Clapping games
• Playing catch with a ball              • Circle games
• Jumping rope                                 • Climbing in nature

…as well as fine motor activities to strengthen important motor pathways, such as

• Cutting with scissors                     • Beading
• Digging in the garden                    • Drawing
• Kneading dough                             • String games
• Pulling weeds                                  • Sewing
• Painting                                            • Finger knitting

By contrast, watching television or playing video or computer games are extremely poor sources of stimulation for sensory-motor development and actually interfere with the healthy integration of the young nervous system by keeping the child’s nervous system in a state of stress.  The “flight or fight” system is activated and maintained.

Children who have difficulties reading and writing often also have

• a poorly developed sense of balance
• difficulty making eye contact
• difficulty tracking or following with their eyes
• trouble distinguishing the right side of their body from the left
• difficulty sitting still in a chair
• difficulty locating their body in space
• poor muscle tone exemplified by a slumped posture
• a tense or fisted pencil grip
• “flat feet” (collapsed arches)
• oversensitivity to touch
• overactive sympathetic nervous system (“flight or fight”), thus have extra sensitivity to the stimulant effects of sugar, chocolate, lack of sleep, changes in routines, watching television, playing computer or video games.

Sometimes these children have difficulties in their peer relationships because they are using their mind and eyes to help their bodies navigate in space, and miss the non-verbal social cues from their playmates.

Dr. Johnson has seen children diagnosed with AD/HD or learning disabilities “miraculously” improve when they are taken out of an “academic” kindergarten or given an extra year in a developmental kindergarten that emphasizes movement, play, and the integration of their sensory-motor systems.

*On reading readiness as a biologically-based development: we would never label a child with a “disability” if they were slow to lose their first tooth, or begin menstruation…and reading is similarly linked to a child’s unfolding biology.  Relax!

Copyright Susan Johnson, M. D.  All rights reserved.  Reprinted with permission.  For more about Susan R. Johnson, MD, FAAP, and her practice in Colfax, California, go to You and Your Child’s Health.


         Peace on Earth begins at Home. 

Sunday, January 7, 2018

Storytelling with Young Children :: Waldorf Style

~ this is a piece I wrote for Rhythm of the Home in the Winter of 2010. As Rhythm of the Home is no more, I am sharing this article here on my blog. This is exactly how it appeared on Rhythm of the Home. The text and photographs are my own, with the exception of the intro paragraph written by Heather Spedden Fontenot.


Storytelling fosters imagination and creativity like little else can, and it is a very important aspect of Waldorf education that transports children into magical worlds and far away places. Storytelling can often be daunting for parents and teachers alike, so today we sit down with Lisa Boisvert Mackenzie to hear her thoughts on the art of the story, and the many ways we can bring it into our daily lives. ~ Heather Spedden Fontenot

::

Storytelling is life. Waldorf education is a live education, it takes place between human beings, this is why one does not see textbooks, CD players or videos in Waldorf classrooms. Storytelling brings pictures to children of life, of what it means to be human, of how we can serve one another.

Imagination
is about making pictures in our minds, learning through pictures, through imitation of the pictures, of the gestures, of the movements brought through the storyteller and the stories that are told. When a child sees a pre-formed picture of a story in a book or on a screen, the image is made; there is no room for the child’s imagination to create the picture.

Storytelling provides a strong foundation for literacy. Literacy begins with the experience of being with another human being who speaks to the child. Very young children watch our mouths as we form words. Stories told by humans rich with language, rhythm, and repetition spark a love of language and a lasting literacy.

Storytelling conveys rich language, full sentences and an extensive vocabulary to children.

Human connection is strengthened through storytelling particularly when we tell stories of our own childhood or that of the child’s grandparents.
Right now approaching Saint Nicholas Day, I am telling stories of Saint Nicholas from Christine Natale of the life of Saint Nicholas. Favorite family chapter books are Mary’s Little Donkey, The Elves and the Shoemaker, The Gingerbread Boy.

After the snow has fallen and the ice on the lake is frozen, and the north wind blows hard and cold and dry, I like to tell the story of the little brown duck, Shingebiss. It is said to be an old Chippewa tale.

Upon lighting the Advent candle, we recite this verse:

Winter is dark
Yet each tiny spark

Brightens the way
To Christmas Day

Shine little light
And show us the way

To the great light of Christmas Day


A Chubby Little Snowman

Here’s a little verse that is lovely done with finger puppets; one for the snowman, one for the bunny. A silk over the hands makes it even better. It can be done as a finger play as well and acted out by the children.


A chubby little snowman
Had a carrot nose
Along came a bunny
And what do you suppose?
That hungry little bunny was looking for some lunch
He saw that snowman’s carrot nose
And went nibble, nibble, crunch!

That chubby little bunny hopped into the woods.
He wiggled his ears as a good bunny should.
He hopped by a squirrel, he hopped by a tree.
He hopped by a bird and he hopped by me.
He stared at the squirrel. He stared at the tree.
He stared at the bird and he made faces at me.


Be sure to put your thumbs to your ear lobes and encourage some fun face-making with this one.

I spend much of my time with children who span the ages of two to fifteen years of age.

With the youngest children, in the Morning Garden, I tell simple nature stories about Mama and Papa Redbird and Squirrel Nutkin, creatures who live in the garden and trees, and whose antics we observe daily.

I often tell a story of a small child while creating the puppet from a silk square, with a rolled ball of wool roving for the head, and then I tie it at the wrists. The child awakens, goes outside for a walk, encounters the animals in the yard, says good morning, rambles about, returns home for lunch and a nap.

In autumn, we have so many wonderful stories to tell. I like to weave in many of the nature tales from Suzanne Down’s Autumn Tales and expand upon them with figures and activities that connect to the stories. Pumpkins, apples and squash grace our seasonal table at this time of year and sometimes an acorn child peeps out from the “garden.”

Something very special I have done with my own children is to reverse their names and create a royal character who has daily adventures. We have two brothers, Prince Sugna and Prince Nacnud. Their parents are kind and gentle rulers of a large kingdom. They have adventures in the kingdom with their dog and cats and always return at the end of the afternoon to the royal kitchen for a cup of tea and a cookie.

I also tell stories in the car, at bedtime, in the afternoon, with seasonal puppet shows and finger puppets.

Often we begin before birth, in talking to the child that is to come. I had a name for my youngest for two years before he was conceived. I knew he was coming. I felt his presence and spoke to him. With my oldest, I gave him a womb name and spoke to him and wrote to him. His dad told stories to my belly.

Sometimes women will hum or sing spontaneously in labor. This is instinctive, the mother’s voice and movement is the story, the beginning of the story telling.

To begin storytelling with a toddler, tell a little story of daily life, focus on the description of the doing, the movement, use rhythm and repetition in speech, the rabbit went hippity hop, hippety hop, the wings fluttered, the boy climbed and climbed, use movement and repetition. Children love to hear the same stories over and over again.

Sometimes yes, with a little puppet story, I use props, puppets, silk, bits of logs, maybe stones or seashells. I use wool roving to create very simple puppets: butterflies, rabbits, an owl. I use very simple felt finger puppets of animals as well as standing puppets and marionettes for more elaborate stories.

You can make little felt finger puppets for the children. Especially loved seemed to be bees and baby chicks. Puppets and simple figures create archetypal images for the child to live into, they enliven the world of the child, a silk becomes a landscape, a pinecone becomes a tree

It begins before birth when the children come to us with a story, their story. We are part of their story as much as they are part of our story. Our task is to let it unfold, unhindered, and remove obstacles, for them and for us.

Children are full of stories from the first little sing-song chatter to themselves while they play to the more formed performances they might produce. The fewer images they see in books and screen, the more room in their mind to image-make of their own imagination.

Yes, it echoes the elements of nature and the cosmos. What is happening outside? The days are darkening now, the trees are bare, the squirrels are busy hiding nuts and we are looking within to find our own little lights. The stories reflect the rhythm of nature. In the warm weather, I often tell stories outside.

Finger play helps the children use and enliven their fingers. Young children are in a process of embodiment, of coming into their bodies. Finger and toe play helps them move into those far reaches of their body. Nowadays machines do so much work that was once done by hand. Children have fewer opportunities to use their fingers; finger play is a fun way to foster healthy development of the hands as is tiptoeing and stomping for the feet.

A fun game for the toes is for the child to pick up marbles with his toes and drop them into a basket or basin. The child might pick marbles up from a basin of lavender water and drop them into another basin with her toes. Use a scarf in the same way. Rudolf Steiner also recommended that children write with toes of their dominant foot when learning to write, that it supports the development of handwriting.

When I lived on remote islands in the South Pacific, I noticed that the local people were so adept with the use of their hands and toes, in weaving, in climbing, in cutting, in preparing food and creating mats and roof tops. It is remarkable how little we develop the hand and feet.

Observe the natural world. Look at birds, squirrels, cows, how do they move? Look at their gesture, how does a rabbit hop? Observe what is happening outdoors. Set up a bird feeder and create a cozy perch from which to watch. Make some simple animal puppets from felt. Bring those gestures with consciousness to the finger play and hand gestures.

Use a little rhyme, make it up.

Fingerplays can ease transitions, during car trips and in the grocery store line. Rhythmic verse and repetition is reassuring for children and build neural pathways in the brain. Most of all, it’s to relax, have fun, be playful.

A story can present archetypes to children that open the doors of possibility, that kindle the imagination, that stir the child to action. Storytelling can be healing, can soothe hurt feelings, mend conflicts and inspire a child to good behavior. Stories can be assuring that the world is good, and that in the end, goodness triumphs over evil.

A child who has an adult that tells her stories and plays lap games and sings songs is blessed with a connection to a human being and to generations of human beings who once transmitted all stories through human communication. Storytelling fosters human connection, connection to the natural world and even to the cosmos. It fosters the healthy development of a human being.


" Peace on earth begins at home. "

Saturday, March 2, 2013

How We Talk to Our Children

Everyday we talk. We wake up and speak. We talk to the dog, the cat, our partners and our children all through the day. Yet how often do we sit back and really reflect on the language we use? Speaking is one of those things we do that takes on its own habits and practices.


How often do we hear the voice of our mother or father or even grandparent come out when we speak?

The use of language is one characteristic that distinguishes human beings from animals. Yet sometimes, too much of a good thing is no longer a good thing. Our culture places heavy emphasis on the printed word with a push towards early reading  and often we find ourselves bombarded with words via screens and speakers in waiting rooms, airports, airplanes, bars, banks, restaurants and shops. The screen is everywhere blasting news and information at us and our children when they are out and about in these places.

We can protect children from this onslaught of media by carefully deciding where and when we take them out. We can provide diversions from the screens in waiting rooms by bringing a book or being prepared with a little verse and a finger puppet in the pocket.

We can examine the language we use when we speak to children. What are we trying to convey and can we find simpler, more creative and perhaps more effective ways of expressing it?

Do you wonder how it is that Waldorf kindergarten and nursery teachers get children to come and go with so little talking?

This month in my Celebrate the Rhythm of Life in March E-Course Program, we'll take a look and listen to the way we speak to the children in our lives. What are the words we use? Do we want to keep using them? We'll wonder together and explore ways of communicating with children that are simple and effective and energizing for child and adult alike.

In addition to the focus topic aspect, Celebrate the Rhythm of Life in March includes support materials and conversation dedicated to supporting you in bringing harmony, rhythm and balance to daily life. Materials include a Daily Rhythm Guide, Weekly Rhythm Support, Material to support seasonal celebration though verse stories, recipes, song, crafts, handwork, puppetry and best of all a community of others who are journeying on this path.
$45





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